Beyonce's not the only Knowles with talent. Her little sister Solange Knowles has a little something out right now and it's a breezy number - a soulful throwback.Solange Knowles: "I Decided"
Beyonce's not the only Knowles with talent. Her little sister Solange Knowles has a little something out right now and it's a breezy number - a soulful throwback.
Dropping August 19.I'm guessing that in preparation for his above forthcoming album, the GZA decided to stir things up a bit and drop this track going at 50 Cent. I'm not sure how I feel about this track. On one hand, it's good to hear something new from the GZA. But if he was going to throw jabs he could of brought something with a little more bite. "Paper Plate" doesn't leave much of an impression. I think it's pretty boring altogether. It's a no-brainer that the GZA is superior with his wordplay and commands a better grasp of the english language than 50 Cent ever will. And 50 Cent would probably agree wholeheartedly.
I wouldn't be of the opinion that this was a complete waste of time had the GZA dropped something more witty and unpredictable. You know, the "8 bar murder verse/ freestyle or rehearsed/ I wreck MC's whether I'm last or first" kind of witty unpredictableness...
J-Live's Then What Happened? is out. I was expecting a little more considering it's been a while since his last album. It's got some boring material but the good ones almost make up for the parts that lag behind. Content and lyric-wise, he's definitely top 5 if I were to rank my personal favorite MC's out right now.
Furthermore, I've adopted "It Don't Stop" as my personal anthem.
Sadat X: "Stages and Lights"
Did you support your local record shop today?
And to think, I turned 37 today.
Happy Record Store Day folks!





It's only right.
Pete Rock's NY's Finest in your area on Tuesday. Meanwhile, I've been listening to some PR treats of the past and it's ridiculous the amount of incredible tracks he's put together in his distinguished career. Although the new album isn't as quite as good as I'd expected, it's still a solid effort and I'm glad to hear new material from him. Even the lukewarm joints.
Okay, shameless excuse to throw a picture of my daughter up. It's not enough that I've already posted it here. Anyway...
Pete Rock is, without a doubt, my favorite producer of all time. There was a time I teetered between PR and DJ Premier but PR's sound, anchored by such soulful undercurrents, puts him at the top. Besides, Premier's work has been more uneven as of late and he's not nearly close to matching the quality of his output of the mid-late 90's. Termanology's "Watch How It Goes Down" is the last Primo track that I was feeling and I still think he could of brought the drums a little harder.
If you haven't already heard, Pete Rock's got an album dropping February 26. There are a few projects worth the anticipation this year but New York's Finest is most worthy. I've heard five cuts from the new album and they're not really mind blowing. "The PJ's" featuring Raekwon and Masta Killa and "914" featuring Styles P and Sheek Louch were already in rotation last year. I'm still looking forward to hearing how the rest of the album comes together. After all, a subpar Pete Rock track beats most of the garbage floating around these days.
Check it. Courtesy of Nahright.



Spin just did a review of Arrested Development's Since The Last Time. I don't know much about the album since I haven't really kept up with where the group has been. Speech did a solo project some years ago to lukewarm reviews and didn't firm up much of a career on his own. Since The Last Time kind of flew under the radar and, from everything I've read up to this post, it was released last year. I have to admit that I was a little skeptical that it'd be even worth giving attention but after a couple of listens it's actually pretty good. They didn't pull a Black Eyed Peas and morph into some ridiculous eye and ear sore of a pop group. The group kept the formula simple and preserved the qualities that made their debut so enjoyable in 92' - tastefully soulful and with subtlely funky undercurrents.
Dilla Busta. I know it's gonna be hard to endure Bussa Buss for an albums worth of material but hey, it's unreleased J-Dilla tracks.
There's been a lot of hosility within the Wu-Tang camp lately. Apart from Ghostface's early grumbling about the Wu-Tang hierarchy, Raekwon has expressed his frustration with RZA's production choices for 8 Diagrams. RZA got on Tim Westwood's show to shed some wisdom on Raekwon's recent rants, in true RZA form (courtesy of Nahright).


I'm a huge fan of Wes Anderson films and Rushmore is the most endearing of his work. Faces' "Ooh La La" comes at the films conclusion and all I can say is that it fits perfectly in every way imaginable.
I've seen every Quentin Tarrantino flick. He knows how to use music in his films and he chose the perfect artist to score Kill Bill Vol. 1. The RZA plucks an angelic Nancy Sinatra tune for the film's intro and it simply draws you in and doesn't let go.
Nancy Sinatra: "Bang Bang (My Baby Shot Me Down)"
You're sitting in movie theatre and someone cues up "Shimmy Shimmy Ya". Right as the introductory piano dabs started to fill the theatre it just occurred to me how perfect the song was for this movie. An ODB track about unprotected sex as the backdrop to the opening credits for this particular movie? Genius.
Ol' Dirty Bastard: "Shimmy Shimmy Ya" (I'm not wasting time in providing a download - I know you already own this. And if you don't, "shame on a NUH!")
?uestlove is an oasis of musical knowledge. Apart from his musicianship and overall contribution to The Roots ongoing catalog, ?uesto also pens some insightful observations on a variety of subjects. He's a busy guy but has time to document his groups progress via his Myspace page. From their relentless road schedule to whatever he or The Roots are running with at the moment, he somehow gets it up there. His posts are amusing reads. His sense of humor is sharp and he's got some fantastic stories about the business he's engulfed in. If he's feeling really generous, he'll even post some never-heard-before gems. He's got four tracks that didn't make Common's Electric Circus up right now!
Seeing this really pains me. Don't get me wrong, the interview is very informative and I've wondered off and on what kind of progress she's been making, musically. At one point I was convinced that she was going to be the Nina Simone, Ella Fitzgerald or Billy Holiday of my generation. She's got that much talent and potential, not that I even know what "talent" and "potential" is. What I do know is that she's got something very unique. But during these past few years of self-imposed reclusivity and sporadic re-emergences, Lauryn Hill has been slowly disintegrating and becoming marginalized and irrelevant, all through her own doing (or undoing).
I don't care about a Fugees reunion. She doesn't need a reunion. No one even gives a fuck whether or not Wyclef or Pras are even on an album with her. Everyone wants to hear Lauryn. The Fugees didn't sell millions because of Wyclef & Pras. They were really just oversized, ornamental hype-men for the group. The success of The Miseducation of Lauryn Hill was not a fluke. Wyclef's Carnival was good but wasn't nearly as successful, and that was not fluke either. Ask anyone why they bought The Score and I doubt you'll get any response other than Lauryn Hill.
My advice: Just ease your clamp on the Bible and simply start to "make meaningful music".
The video interview should have never been allowed. Homey The Clown, not a good look.
Listen to these and tell me she's not the whole package (Erase the visual from the above interview from your consciousness).
"All My Time feat. Paid & Live"
"The Sweetest Thing" (It's my favorite of anything she's ever done. The sweetest thing, indeed.)
The thing I missed about The Roots' last album Game Theory was that hidden or bonus track. Phrenology and The Tipping Point, if you let the CD ride, had one superb track nestled in a few minutes past the albums conclusions. I liked Game Theory a lot but out of all The Roots albums it's my least favorite. The band is constantly evolving and ?uesto is not one to rehash the same musical ideas and sounds with each new album, and I respect that. But I wish they would record more bangers like these:
I'm trying not to get my hopes up but it sounds like the album might actually be good.
First off, the album cover is ridiculous. The sad thing is that someone in his camp let this slide and thought it'd be a good idea. Why?
As for Camp Lo's Black Hollywood, a little disappointing. I was expecting more, production-wise, from Ski. "Sweet Claudine" and "Black Hollywood" are effective even in complacency. They're pretty much the standout tracks on this album. I really picked up the album to see what Ski had to offer. Nothing mind blowing here, just serviceable beats that kind of meander along. Now if only I was a fan of Geechi Suede and Sonny Cheeba, maybe it could've been a more of a pleasant listening experience. I don't know, not many quotables worth noting. Maybe you can get something more informative from him.
Say it isn't so. Well, S&TR always welcomes your great posts and looks forward to more dusky jewels like this.
I've been wondering what he's been up to. Perfect timing for The 45 King interiew. All I want to know is when is the new shit with Chill Rob G going to drop? "Let Me Show You"? One of my all time favorites. "Chill is a prefix/Rob is a proper noun/G is for greatness/ I don't wanna debate this/The way that I'm rising I appear to be weightless."


The Wu-Tang Clan's 8 Diagrams might, just might be coming this year. Can we count on these guys to form like Voltron and shakedown the industry once again for old times sake? The outcome is critical. URB Magazine ponders the math.





